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At shows, people are curious about how I got into this field and learned to do silhouettes.
For me, this seemed a logical thing to try on my own, after I had taken many classes in the art of
decoupage and had mastered fine paper cutting. I was living in western New York State and had
opened a shop called The Paper Paintbrush, where I taught all forms of decoupage--from board
art to intricate cutouts of hand-colored eighteenth century prints. The cutouts were used to
decorate everything from basket purse lids to wastebaskets to pieces of furniture, and some
designs were elevated to a three-dimensional form in a shadow box, or sculpted against a flat
background in a form called moulage. My students also learned how to make lamps and
decorate mirrors with their designs.
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 Here I am with my ornament as commissioned by Hillary Clinton. |
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One day I read in the local newspaper that the librarians in town were organizing a
Colonial craft show for the 4th of July, at a place called Panama Rocks. They asked for
volunteers to learn a Colonial craft and demonstrate it, whether they had something to sell or not.
It occurred to me that although decoupage was not a Colonial craft, silhouettes were, and they
were cut paper, so I should be able to demonstrate that. I practiced on any subject, willing or not
(mostly my children), by having them sit for me while I looked at them and cut out what I saw. I
entered the show and was busy making portraits from the start, right through the day. When
people started asking me how long I had been doing this, I told them truthfully, two weeks! I
decided then and there, that this was a worthwhile craft to pursue. Except for a few years when I
was mostly working on a graduate degree in biochemistry in Canada, I have enjoyed a steady and
satisfying business. I especially enjoy hearing from old customers about how much they like
their portraits.
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Most of my work is with children, which I love to do, and I try to capture some unique
feature of their personality in the portrait. As you can see from the picture above, sometimes it takes a helping hand - my husband Les is often given the task of keeping the subject entertained. However, the more serious portraiture has always been
portrayal of adults, and expecially full figure poses, and this is why I have taken advantage of
every opportunity to portray the fellow craftspeople and reenactors whom you will meet in my
gallery. Collected historical portraits such as those of August Edouard may have been the only
portrait record of famous people, and a resource for learning much about the fashions of the time.
It is amazing how much information about a person can be packed into a mere shadow picture!
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